EXT. TEXAS SCRUB -- DAY Two men in shorts and Hawaiian shirts are poking around a sandy section in the middle of scrub flats. SERGEANT CLIFF POTTS is in the f.g., a plant-and-tree guidebook in hand, as SERGEANT "MIKEY" HOGAN works a metal detector over a large, sandy bank in the b.g. Both are Army career men with a morning off to pursue their hobbies. CLIFF We got ocotillo, devil's walking stick--what's this stuff--it's that whattayoucallit--horse- crippler. Mikey bends to scoop something out of the sand, putting it in a canvas bag slung on his bip MIKEY This place is a gold mine. CLIFF Lead mine. MIKEY sees that Cliff is talking, pulls his headset off. MIKEY What? CLIFF It's a lead mine. MIKEY Right. CLIFF I don't know why I'm talking to you, you've got that thing on your head. MIKEY You finding lots of cactus and shit? CLIFF It's not just cactus. There's the nopals, the yuccas-- MIKEY (Puts headset on) Looks like a lot of cactus to me. CLIFF (Grumbles) Man knows a hundred-fifty varieties of beer, he can't tell a poinsettia from a prickly pear. MIKEY (Troubled) Cliff-- CLIFF You live in a place, you should know something about it. Explore-- MIKEY Cliff-- CU MIKEY MIKEY in the f.g. now, looking down at something as he pulls his headset off again -- MIKEY Cliff, you gotta look at this-- Cliff wearily turns and approaches from the b.g. CLIFF Don't tell me--Spanish treasure, right? Pieces of eight from the Coronado expedition-- He stops by Mikey and looks down, his expression changing CLIFF Jesus-- GROUND -- CU BONES Sticking out from the sand bank are the SKELETAL BONES of a MAN'S HAND. There is a ring on one finger. MIKEY (O.S.) Was Coronado in the Masons? EXT. ROAD -- DAY A distant cloud of DUST appears on the horizon MUSIC underscores that we are in Texas, and we SUPERIMPOSE the OPENING CREDITS as the dust takes form around an APPROACHING CAR. The car comes close enough to see it has a County Sheriff's insignia on the side. INT. CAR We see SAM DEEDS, the Sheriff, driving. Sam is 40, quietly competent to the point of seeming a bit moody. He sees something up ahead. MUSIC, CREDITS END as Sam pulls off the road and we see the sergeants standing in the scrub EXT. SCRUB -- DAY -- BONES The hand and forearm down to the elbow of the skeleton are visible now. WIDER Cliff stands looking at the arm with Sam. MIKEY is a few yards behind them, playing with his metal detector. Beyond him we see the Sheriff's car parked. SAM I was driving back from Apache Wells when they got me on the radio. CLIFF This was a rifle range way back when. But we figured it isn't Army land anymore, it's your jurisdiction. SAM (Nods) I've got the forensics fella coming down from the Rangers. No way to know how old the body is without some lab work. CLIFF That ring-- SAM Masons been around a long while. Mikey has come up to them, still sweeping with the metal detector. SAM Treasure hunter? CLIFF (Apologetic) Old bullets. He uhm--makes art with them. Sam just nods. Mikey frowns, goes down on one knee and scratches something out of the dirt at their feet-- CLIFF The Sheriff says we shouldn't touch anything, MIKEY (To Sam) He can't hear with that rig on-- Mikey! Mikey comes up with something, holds it before them. An encrusted piece of metal-- MIKEY What've we got here? Sam takes the thing, lays it back down where Mikey found it. SAM S'posed to leave everything right where we found it. They're real particular about that. MIKEY The scene of the crime. SAM No telling yet if there's been a crime. Sam frowns down at the piece of metal as he rubs the face of it. CU METAL Sam's thumb wipes across the face of the encrusted metal. It is roughly star-shaped. SAM (O.S.) But this country's seen a good number of disagreements over the years. INT. HIGH SCHOOL CLASSROOM -- DAY -- TEXAS MAP We look at a beautiful old pull-down map of Texas. PILAR (O.S.) We do the best we can here-- A teacher in her late 30s, PILAR CRUZ, steps in front of the map and we FOLLOW her across the room, carrying a poster PILAR --but hey, public education these days is a bit of a battleground. Posters bung on the walls beyond her show luminaries from Texas history--Sam Houston, Stephen Austin, Juan Seguin. A new parent, CELIE PAYNE, stands in the middle of the otherwise empty classroom. CELIE He went to school on base when we were in Okinawa. it's all--you know--kids in the same boat--Army brats. PILAR His record shows that he's a good student. CELIE I'm more worried about the social thing. Are there like--gangs, or...? PILAR starts to put the poster up. CELIE moves to hold it in place for her. PILAR We haven't had any serious violence, if that's what you mean. We've got a pretty lively mix though--you walk into the cafeteria and the Anglo kids are in one section, the Mexican kids in another and the Black kids have a table in the back--thanks-- CELIE So Blacks are-- PILAR They're the smallest group except for a couple Kickapoo kids. Look, you're obviously a concerned parent. Chet has no history of getting into trouble--I'm happy to have him in my class. She steps back to see if the poster, an old pboto of Geronimo, looks straight. Another teacher, MOLLY sticks her head in the door--- MOLLY (Uncomfortable) Pilar, is uhm--is Amado okay? PILAR Okay? He's not here? MOLLY No. Is he sick? PILAR (Mutters) He's going to wish he was dead. EXT. STREET -- DAY -- CU VAQUERO PICTURE On the door of a deluxe pickup truck is an airbrushed picture of a Pancho Villa-looking vaquero with bandoliers crossing his chest and a gun blazing in each hand. We hear LOUD MUSIC -- AMADO (O.S.) Luis! Give me that Phillips-head back-- WIDER A small group of teenage Chicano BOYS hang around the truck in the bed, on the hood, leaning against it. A BOOMBOX placed on top of the cab blasts RANCHA MUSIC out at the neighborhood. Somebody's legs are hanging out the open passenger-side door. The kids suddenly look as a Sheriff's Department car slides into the f.g. A Deputy Sheriff, TRAVIS, gets out KIDS Trying to look tough and unworried as we TRACK across the street toward them. Travis's hand reaches out from behind the camera to flick the MUSIC OFF. INT. PICKUP Amado CRUZ, Pilar's 15-year-old son, lies on the front seat installing a compact disc player into the dash slot. He reaches up to the dash, can't find what he wants AMADO Somebody hand me the CD player-- damelo pendejos-- He looks up and we TILT to see Travis leaning in the window, examining the new radio TRAVIS They come a long way from those old 8-track jobs, haven't they? AMADO Something wrong? TRAVIS (Waves radio) This is stolen property. Alla you fellas are coming down to the station. INT. CAFE SANTA BARBARA -- AFTERNOON -- ENRIQUE Sweat beads the forehead of a thin, tired-looking recent immigrant, ENRIQUE, as he delivers platters of chile rellenos to a booth. MEXICAN MUSIC plays on a jukebox in the b.g. We HOLD on the booth, where HOLLIS POGUE, in his 60s entertains two GOOD OLD BOYS-- HOLLIS So Buddy walks up to the porch and there's old Fishbait McHenry, cleanin' the dirt out his toenails with a pocketknife--he was the most hygienic of all the McHenrys-- The breakfast companions are laughing already-- HOLLIS "Fishbait," says Buddy, in that quiet way of his, "what you know about them tires that went missing from markets?" Fishbait thinks for a minute, then he lifts up a loose board from the porch floor and calls down into it, "C'mon out, Pooter, they caught us!" FENTON (Laughing) Buddy Deeds. He had a way. HOLLIS He known who it was onnaconna the tire tracks in the dirt from the back of the garage to where they loaded up. "Old Fishbait," he says, "never lifted a thing in this world if there was a way he could roll it." More laughter-- FENTON Won't be another like him. That boy of his doesn't come near it. You ask me, he's all hat and no cattle SAM (O.S.) Fellas-- We WIDEN to see Sam standing by their booth. No telling how long he's been listening, Fenton is embarrassed. HOLLIS Sam! I was just telling a few about your old man. FENTON He was a unique individual. SAM Yeah, he was that. We sense a little strain when Sam has to talk about his father-- HOLLIS Big day coming up--I wish we'd have thought of it while he was still living. But he went so unexpected FENTON Better late than never. Korean War hero, Sheriff for near thirty years--Buddy Deeds Memorial P--- SAM I heard there was a bit of a fuss. HOLLIS Oh, you know, the usual troublemakers. Danny Padilla from the Sentinel, that crowd. FENTON Every other damn thing in the country is called after Martin Luther King, they can't let our side have one measly park? HOLLIS King wasn't Mexican, Fenton-- FENTON Bad enough all the street names are in Spanish-- SAM They were here first. FENTON Then name it after Big Chief Shitinabucket! Whoever that Tonkawa fella was. He had the Mexes beat by centuries. HOLLIS There was a faction pulling for that boy who was killed in the Gulf War--Ruben-- SAM --Santiago. HOLLIS Right. But nobody here ever noticed him till they read his name on the national news-- FENTON They just wanted it to be one of theirs-- HOLLIS That's not the whole story. The Mexicans that know, that remember, understand what Buddy was for their people. Hell, it was Mercedes over there who swung the deciding vote for him. Sam looks to the register where Pilar's mother, MERCEDES CRUZ, whacks rolls of change apart on the counter. She seems to be avoiding looking toward him. SAM That so? HOLLIS She put it even at three to three, so as the Mayor I get to cast the tiebreaker. The older generation won't have any problem with it. They remember how Buddy come to be Sheriff, that it was all 'cause he took their part. FENTON Tell that one, Hollis-- HOLLIS Hell, everybody heard that story a million times. SAM I'd like to hear it. Your version of it. Something about the way Sam says it puts Hollis on guard. FENTON Go ahead, Hollis. CU HOLLIS Hollis is hooked into it now -- HOLLIS The two of us were the only deputies back then me and Buddy-- it's what--'58-- FENTON (O.S.) '57, 1 believe-- HOLLIS And the Sheriff at the time was Big Charley Wade. Charley was one of your old-fashioned bribe- or-bullets kind of Sheriffs, he took a healthy bite out of whatever moved through this county. He looks down at the table-- HOLLIS It was in here one night, back when Jimmy Herrera run the place. Started right here in this booth. We PAN down to the table, The food has changed. The tortillas are in a straw basket instead of plastic. The jukebox changes to ANOTHER SONG and the LIGHT DIMS slightly. A hand with a big Masonic ring on one finger appears to lift a tortilla -- underneath it lie three ten-dollar bills. The hand lifts them up and we TILT to see the face of SHERIFF CHARLEY WADE, a big, mean redneck with shrewd eyes It is 1957 -- WADE (Grins) This beaner fare doesn't agree with me, but the price sure is right. WIDER Wade sits across from his young deputies, YOUNG HOLLIS (30s) and BUDDY DEEDS (20s). A chicken-fried steak sits untouched in front of Buddy. Hollis has the anxious look of an errand boy, while Buddy is self-contained and quietly forceful for his age. BUDDY What's that for? WADE Jimmy got a kitchen full of wetbacks, most of 'em relatives. People breed like chickens. BUDDY So? WADE I roust some muchacho on the street, doesn't have his papers, all he got to say is "Yo trabajo para Jimmy Herrera." Wade folds the money and stuffs if in his pocket-- WADE You got to keep the wheels greased, son. Sheriff does his job right, everybody makes out. Now this is gonna be one of your pickups, Buddy. First of the month, just like the rent. Get the car, Hollis. Wade and Hollis slide out of the booth to stand. BUDDY I'm not doing it. Hollis stops a few feet away, shocked. Wade just stares down at Buddy. WADE Come again? Buddy looks Wade in the eye, seemingly unafraid. BUDDY It's your deal. You sweated it out of him, you pick it up. WADE There's gonna be some left over for you, Buddy. I take care of my boys BUDDY That's not the point. WADE You feeling bad for Jimmy? Have him tell you the size of the mordida they took out of his hide when he run a place on the other side. Those old boys in Ciudad Leon-- BUDDY I'm not picking it up. WADE You do whatever I say you do or else you put it on the trail, son. The CUSTOMERS are all watching now, nervous. Buddy thinks for a moment, not taking his eyes off Wade. BUDDY How 'bout this--how 'bout you put that shield on this table and vanish before you end up dead or in jail? Wade rests his hand on his pistol. It is dead silent but for the MUSIC on the box BUDDY You ever shoot anybody was looking you in the eye? WADE Who said anything about shootin' anybody? Buddy has his gun out under the table. He slowly brings it up and lays it flat on the table, not taking his hand off it or his eyes off Wade. BUDDY Whole different story; isn't it? WADE You're fired. You're outta the department. BUDDY There's not a soul in this county isn't sick to death of your bullshit, Charley. You made yourself scarce, you could make a lot of people happy. WADE You little pissant-- BUDDY Now or later, Charley. You won't have any trouble finding me. Wade feels the people around him waiting for a reaction. He leans close to Buddy to croak in a hoarse whisper WADE You're a dead man. He turns and nearly bumps into Hollis. He gives the Deputy a shove. WADE Get the goddam car. We're going to Roderick's. CU BUDDY He watches till the screen door shuts behind them, then holsters his gun and begins to saw at the steak as if nothing had happened. He calls softly-- BUDDY Muchacho--mas cerveza por favor. He looks up at somebody and we PAN till we see Sam, still standing over the booth, listening. We are back in 1995 -- HOLLIS (O.S.) "Mas cerveza por favor." FENTON (O.S.) That Buddy was a cool breeze. We PULL BACK to see Hollis and his buddies at the table, eating their lunches as they listen FENTON Charley Wade were known to have put a good number of people in the ground, and your daddy gets eyeball to eyeball with him. HOLLIS We made our collection at Roderick's place and that was the last anybody seen hide nor hair of him. He went missing the next day, along with ten thousand dollars in county funds from the safe at the jail. SAM Never heard from him again? HOLLIS Not a peep. Buddy run the man out of town. FENTON Buddy Deeds said a thing, he damn well backed it up. Won't be another like him. SAM So he arrested all of Jimmy Herrera's people and sent 'em back to the other side? Hollis sees what Sam is getting at, grins-- HOLLIS Oh--he come to an accommodation. Money doesn't always need to change hands to keep the wheels turning. SAM Right. HOLLIS Look, I know you had some problems with your father, and he and Muriel-- well-- FENTON Your mother was a saint. HOLLIS --but Buddy Deeds was my salvation. Sam nods, speaks softly-- SAM Won't be another like him. EXT. ARMY INSTALLATION -- DAY -- CU DEL PAYNE COLONEL DELMORE PAYNE (DEL), a very direct, by-the-book Black officer, addresses them. Artillery pieces angle toward the sky behind him-- DEL --it's an honor for me to assume command of this unit, and I look forward to working with all of you. OFFICERS Cliff and Mikey, in uniform now, flank SERGEANT PRISCILLA WORTH, a Black woman in her early 40s, as they stand in formation-- DEL (O.S.) I'm sure you're all aware of the Army's decision to close this installation under the Reduction in Force plan. That does not mean, however-- REVERSE We look over the shoulders of assembled OFFICERS and NCOs toward Del. DEL --that we've been sent here to mark time until we are absorbed by another unit. CU DEL DEL You may have heard rumors that I run a very tight operation. These rumors are not exaggerated. INT. SHERIFF'S OFFICE -- AFTERNOON -- BUDDY PHOTO We are looking through a magnifying glass at an old photo. Buddy's face is slightly distorted by the glass. SECRETARY (O.S.) Sam? I got Danny Padilla from the paper for you-- Sam sits at his desk in the Sheriff's office, looking down at the photo-- SAM Tell him I'll catch him later. CU PHOTOGRAPH An old photo of the 1957 Sheriff's Department officers on the courthouse steps. Wade, Hollis, Buddy, a few others, all in uniform SECRETARY (O.S.) He says he needs to talk to you before the ceremony. SAM Sam puts a magnifying glass over the photo and bends close to look. SAM Tell him to try me tomorrow. EXTREME CU PHOTO -- BADGE MAGNIFIED POV of the badge on Wade's chest swims into view. A metal star. We hear the secretary getting rid of the caller. SECRETARY (O.S.) He thinks you're trying to duck him. CU SAM Looking at the photo, troubled-- SAM (Mutters) He's right. EXT. BIG O'S ROADHOUSE -- NIGHT -- NEON SIGN We start on a BLINKING SIGN -- BIG O'S, then PAN to see a full parking lot outside the low, neon-lit roadhouse. R&B MUSIC blasts from inside EXT. DOORWAY -- CHET CHET, a Black kid around 15, stands nervously at the door building up his courage. He takes a deep breath, plunges in INT. BIG O'S We TRACK with Chet, very nervous, as he makes his way through the crowded roadhouse. The customers are all Black, many from the nearby Army post, SHOUTING and LAUGHING over the loud MUSIC. Chet, edgy, is looking for somebody. He sees CHET'S POV -- OTIS Seen through the crush is OTIS "BIG O" PAYNE, a large man in his early 60s, laughing as he stands behind the bar CHET He nervously puts his hand under his jacket. A gun? He pushes forward to get a better view. CHET'S POV -- OTIS Moving in on him. Otis looks over, sees the boy, frowns -- CHET Reaching under his jacket, he pulls out -- a photograph. He looks at it -- suddenly there is a SCREAM from behind, then GUNSHOTS, patrons diving for the floor. Chet whirls around and we WHIP PAN to see a young man, SHADOW, emptying his pistol into RICHIE, a young soldier, as a young woman, ATHENA, screams and tries to pull the gun away. With the last shot, Shadow turns and heads for the door, but is tackled and swarmed by angry men, SHOUTING. We PAN to Athena, kneeling over the bleeding, twitching body of Richie -- CHET Chet backs up, horrified. A large hand grasps him on the shoulder from behind. He turns to see Otis standing over him, strangely calm amid the chaos OTIS You weren't in here tonight, were you? CHET No sir. OTIS (Points) Go out through the back. Chet hurries away. Otis watches him for a moment, then turns to the mess in his club. INT. AUDITORIUM -- NIGHT -- CU ANGLO MOTHER An angry woman stands from her auditorium chair -- ANGLO MOTHER You're just tearin' everything down! Tearin' down our heritage, tearin' down the memory of people that fought and died for this land CHICANO FATHER (O.S.) We fought and died for this land, too! We WHIP PAN to see another standing parent -- CHICANO FATHER We fought the U.S. Army, the Texas Rangers-- ANGLO FATHER (O.S.) Yeah, but you lost, buddy! We WHIP PAN to a man in the rear -- ANGLO FATHER Winners get the bragging rights, that's how it goes. PRINCIPAL (O.S.) People--people-- WIDER We are in the High School auditorium, a hot-and-heavy teachers- and -parents meeting in progress. Pilar sits at the end of a long table facing the agitated parents, taking some heat. DANNY PADILLA, a young, long-haired reporter, sits in the front taking notes, enjoying the show PRINCIPAL I think it would be best not to put things in terms of winners and losers-- ANGLO MOTHER (Points at Pilar) Well, the way she's teachin' it has got everything switched around. I was on the textbook committee, and her version is not-- PRINCIPAL We think of the textbook as kind of a guide, not an absolute-- ANGLO MOTHER --it is not what we set as the standard! Now you people can believe what you want, but when it comes to teaching our children-- CHICANO MOTHER They're our children, too! ANGLO FATHER The men who founded this state have a right to have their story-- DANNY The men who founded this state broke from Mexico because they needed slavery to be legal to make a fortune in the cotton business! PILAR I think that's a bit of an oversimplification-- ANGLO FATHER Are you reporting this meeting or runnin' it, Danny? DANNY Just adding a little historical perspective-- REAR OF AUDITORIUM PALOMA CRUZ, Pilar's teenage daughter, peeks into the room, then moves down the side toward the stage. ANGLO FATHER You may call it history, but I call it propaganda. I'm sure they got their own account of the Alamo on the other side, but we're not on the other side, so we're not about to have it taught in our schools! PILAR There's no reason to be so threatened by this-- Pilar is trying to stay calm despite her anger. PILAR I've only been trying to get across some of the complexity of our situation down here---cultures coming together in both negative and positive ways ANGLO MOTHER (O.S.) If you mean like music and food and all, I have no problem with that. REVERSE We shoot past Pilar toward the parents in their seats. PALOMA steps up to whisper to her. ANGLO MOTHER --but when you start changing who did what to who. TEACHER We're not changing anything, we're presenting a more complete picture ANGLO MOTHER And that's what's got to stop! Pilar looks troubled by what she's heard. She shoots a look toward the others at the table, then slips away with Paloma-- TEACHER There's enough ignorance in the world without us encouraging it in the classroom-- ANGLO MOTHER Now who are you calling ignorant? PRINCIPAL Folks, I know this is a very emotional issue for some of you, but we do have other business to attend to-- CHICANO FATHER We're not going to get some resolution on this? CU PRINCIPAL Weary -- PRINCIPAL Would you people like to form another committee? GROANS from the parents-- INT. SHERIFF'S OFFICE -- NIGHT -- SHADOW Shadow, face bruised, hands cuffed behind him, is pushed in through the door to be booked. SHADOW I hope the sucker does die, man! Mess with me, that's what you get! Sam steps in behind him and meets his Chief Deputy RAY HERNANDEZ, coming from the other direction. RAY Hospital says the other kid is in bad shape-- SAM (Glances ahead) The shooter local? RAY (Shakes his bead) Down from Houston. I think he knew the girl before. SAM Okay--we'll take a statement from all the GIs before they go back to post. You can get the story from Otis over at the club. RAY Any poop on the John Doe you found out there today? SAM Nothin' much. The Rangers put Ben Wetzel on it. Catch you later. As Ray steps out, Pilar looking distraught, walks into the station, passing right by Sam without seeing him. CU SAM Wonders what she's doing there -- SAM'S POV -- PILAR She stands by an unoccupied reception desk, very upset, unable to attract anyone's attention because of the activity around the shooting. She looks tired and a bit scared under the harsh overhead light SAM (O.S.) Pilar. PILAR AND SAM Pilar looks around. Sam is standing by her. We can tell there is some history between these two. SAM Something wrong? PILAR They've got my Amado. SAM Got him here? PILAR Somebody called--something about an electronics store. SAM I'll see what's going on. He starts away, stops, comes back-- SAM I was--I was real sorry about Nando. He was a good fella. We haven't talked since. PILAR We haven't talked since high school. SAM Yeah. I'll go check on your boy. Pilar watches Sam go-- REAR OF OFFICE Travis sits typing away at a word processor as Athena, in tears, gives testimony. ATHENA --so Richie just didn't say nothin' 'cause he didn't want to get into it, see, and the next thing I know there's shots and Richie is down. It happened so fast-- SAM (O.S.) Excuse me-- We WIDEN to see Sam standing over the desk -- SAM We got some boys you run in earlier today? TRAVIS Yeah. I pulled the bunch that hangs at Pico Bernal's place. We finally caught them with something. SAM You got a juvenile with 'ern-- Amado Cruz? Travis looks at his booking sheets-- TRAVIS Yeah--let's see--the other ones say he wasn't in on the theft, lie just knows how to hook things up. We've been trying to contact a parent INT. JAIL HALLWAY Sam walks with Amado, who is trying to look defiant -- SAM They tell me you're good at fixing things. Nothin-- SAM Your father was a hell of a mechanic Still nothing-- SAM You know, if you figure minimum wage on the time most thieves spend in jail, they could have bought most everything they stole. AMADO I didn't steal anything. SAM I didn't say you did. My name is Sam, by the way. Amado just gives him a look-- INT. SHERIFF'S OFFICE Sam and AMADO step out into the office, where Pilar stands waiting. SAM He's all yours. PILAR Are you okay? AMADO I don't know what the big deal is. PILAR You'll find out when I get you home. Thanks, Sam. SAM No problem. Pilar yanks AMADO outside by his arm. She turns to shoot a look back at Sam, then steps out through the glass door. CU SAM Watching her go-- SAM Any time. FADE OUT: EXT. OBSTACLE COURSE -- MORNING -- PIT We shoot up from a pit in the ground. WHUMP! WHUMP! WHUMP! Three men leap over, landing on the far side and running away from us. MEN Del Payne runs with Cliff and Mikey on a pathway along a security fence, the two sergeants struggling to keep up, occasionally vaulting or scaling some mild obstacle MIKEY There's not that much down here, Colonel. Big O's is the only place in the county that our African American soldiers are uhm-- that they feel comfortable in. DEL Have we had trouble there before? CLIFF Since I've been stationed here? A fistfight now and then-- MIKEY We had a kid pass out in the men's room. The town isn't much. DEL They didn't come for a vacation. CLIFF Yes sir. MIKEY You know how it is, Colonel--first time away from home, dealing with new people--I remember my first hitch-- DEL Substance abuse? MIKEY Well, yeah, but I went through the Program. I haven't had a drink since-- DEL I meant on the post. In general. How are you dealing with it? CLIFF We throw a urine test at them once a month. Random numbers, maybe a hundred people at a time DEL Why don't we make it once a week for a while? CLIFF No problem, sir. Del notices bow hard they are breathing-- DEL I sprint the last quarter mile. You gentlemen don't have to keep up if you don't care to. MIKEY Appreciate it, sir. Del accelerates and we HOLD with the sergeants, slowing to a near-walk. MIKEY Guy cracks walnuts with his asshole. CLIFF (Grins) You get the feeling he doesn't want to be here? INT. FORENSICS LAB -- VARIOUS SHOTS We hear Hank Williams' gospel song "I'll Have a New Body (I'll Have a New Life)" as we see the gathered bones of the skeleton tagged and photographed and measured, impressions made of the dental work in the skull, photographs of the excavation of the body at various stages marked with Fed grease pencil, the piece of metal laid in a detarnishing dish, the ring put under a microscope CU METAL MUSIC CONTINUES as we TIGHTEN on the piece of metal, a pair of tongs pulling it from the detarnishing solution. It is a star-shaped badge, bearing the words "SHERIFF -- RIO COUNTY." INT. COUNTRY AND WESTERN BAR -- AFTERNOON C&W MUSIC playing, the regulars starting to show up. Sam makes his way to a table where BEN WETZEL, a Texas Ranger, sits with a file of forensic reports BEN Sam the Man. SAM Hey, Ben. Thanks for coming down. They shake, Sam sits. BEN How's business? SAM Business is booming. Got your drugs, got your illegals--had a shooting the other night at Big O's--Soldier got ventilated. BEN I hear they're closing that post down. SAM September '97, that's all she wrote. BEN Gonna pull a lot of jobs out of this county. SAM Yeah, we'll have folks swimming over to Mexico to work in the sweatshops. Sam looks at the folder of reports. SAM That the word on our boy? BEN Yeah, this is Skinny. SAM Skinny? BEN We find a body, it's either Skinny or Stinky, depending on how much meat there is on the bones. SAM Nice job. BEN (Opens folder) Male, 40 to 50 years old, five- foot-eleven, chewed tobacco--then we get into the dental records-- SAM Charley Wade. BEN (Nods) That badge-- SAM --it didn't come out of a cereal box. BEN Yeah. SAM You know the popular version of how he left town. BEN Everybody on the border knows that story. SAM You got a cause of death? BEN Skull was intact, no soft tissue left--not much to go on. SAM So he could have gone out to the base, hopped the fence, dug down into the dirt on the old rifle range and had a heart attack. Ben smiles, closes the folder-- BEN You uhm--you remember what old Buddy carried for a side arm? SAM Colt Peacemaker. BEN A .45-- SAM He swore by it. (Ben frowns) What? BEN Just wondering. SAM So is Buddy on your short list? BEN If it was some poor mojado, swam across at night, got lost in the scrub and starved out there, we wouldn't go any further. But this is a formerly prominent citizen. SAM You got to investigate. No question about it. BEN What I will do is keep names out of it till we got some answers or hit a dead end. You know how the press is with a murder story-- even if it's forty years old. SAM Yeah, it's a pretty cold trail. They sit in awkward silence for a moment. Ben feels bad about it. BEN I remember Charley Wade come to my father's hardware store once when I was a little boy. I'd heard stories how he shot this one, how he shot that one--man winked at me and I peed in my pants. (Shakes his head) Winked at me. INT. CLASSROOM -- DAY Pilar stands at the blackboard by her outline of 19th century Texas history. PILAR Okay, we have the fight against the Spanish with bloody conflict for dozens of years till they're finally defeated in 1821 and Mexican independence is declared. Anglo settlers are invited-- CU DRAWING Somebody making a skillful pencil drawing on the corner of a sheet of lined notebook paper. A bald, muscular shotputter after releasing the shot, his hand large in the f.g. PILAR (O.S.) --to colonize the area and by the time they begin the movement against Santa Anna they outnumber the Mexicans here by four to one. The war between Mexico-- CHET Drawing intently. He takes the notebook and lays his thumb over the corner PILAR (O.S.) -and the Anglo forces ends in 1836 with the formation of the Texas Republic. Texas joins the United States as a state where slavery is legal in 1845-- NOTEBOOK Chet "flips" the corner of the notebook and the series Of drawings he's made form a brief cartoon of the shot-putter blowing his cheeks out and heaving the shot right past us. Extremely well-drawn-- PILAR (O.S.) -after the so-called Mexican war and then secedes to join the Confederacy in 1861. The Confederacy is beaten, and the Reformation period here is marked by range wars and race wars-- PILAR Looking out at the class -- PILAR --and all this paralleled by constant battles between both the Mexican and Anglo settlers and the various Indian nations in the area. What are we seeing here? Chet? CHET Startled, he hides the notebook under his hands -- CHET Uhm--everybody is killing everybody else? EXT. LAKE -- DAY -- CU FISHING LURE A nasty-looking thing. Only a bass would want to eat this. Hollis leans in to peer at the thing dangling before his face. WIDER Hollis sits in the swivel chair of a bass boat tied to a dock at the lake, going through his box of lures. Sam appears on the dock and steps down. SAM I always wondered what you Mayors do when you're not cutting ribbons. HOLLIS Sam! Hey podner! You caught me playing hooky-- SAM (Looks across lake) Floating around out here, playin' hell with them bass--play a little cards, play a little golf, drink some beer-- HOLLIS Sounds great. Where do I sign up? SAM I haven't been out here for a while. HOLLIS You go by your old house? SAM No. HOLLIS Just as well. The new people just painted it some God-awful color-- SAM We found a body out by the Army base yesterday. Been there for a long time. Hollis squints at a rubber lure, rejects it-- HOLLIS Was it Davy Crockett or Jim Bowie? SAM (Smiles) You recall if Charley Wade was a Mason? HOLLIS Charley? I believe he was. Used to go for lodge meetings over to Laredo. What's he got to do with your body? SAM All it was wearing was a big old Masonic ring and a Rio County Sheriffs badge. Hollis reacts. Sam puts a foot on The gunwale of die boatSAM You don't remember anything else from that last night you saw him, do you? HOLLIS I told the story enough times-- hell, we were just in the car, he was stewing about the fight with Buddy while we drove over to Roderick Bledsoe's-- SAM Bledso HOLLIS He owned the colored roadhouse before Big O-- SAM He still living? HOLLIS No. I think his widow's still in their place in Darktown, though. (Shakes his bead) You think it's Charley Wade, huh? SAM Forensics people are sure of it. You have any idea who might have put him there? Hollis makes a great show of considering-- SAM Besides my father, I mean. HOLLIS There's no call for that, Sam, Fella made himself a pile of enemies over the years. SAM And Buddy was one of them. HOLLIS We got that dedication tomorrow. This is a hell of a time to be draggin' up old business SAM People have worked this whole big thing up around my father. If it's built on a crime, they deserve to know. Now I un derstand why you might want to believe he couldn't do it HOLLIS And I understand why you might want to think he could, This is a low blow, but accurate enough to shake Sam. SAM Thanks for your time, Hollis. Hollis holds up a double handful of lures--dozens of rubber and plastic worms and shiners and frogs and spinners-- HOLLIS Look at all this, would you? My tackle, the boat, all to catch a little old fish just minding its business on the bottom of the lake. He gives Sam a look-- HOLLIS Hardly seems worth the effort-- does it, Sam? Sam walks away-- INT. CLASSROOM -- ARMY BASE -- DAY -- CU ATHENA Athena stands at attention, trying to keep her composure -- CLIFF (O.S.) So you knew this young man before? ATHENA From back in Houston. We both come up on Fifth Street. PRISCILLA (O.S.) Did you know he was going to be there last night? ATHENA If I had I wouldn't have gone in. PRISCILLA (O.S.) And you and Private Graves-- ATHENA We were just dancing-- WIDER Cliff leans against a desk, a blackboard covered with radar diagrams behind him. Priscilla sits nearby, both of them focused on Athena PRISCILLA We're not running a dating service here. ATHENA I know that, Sergeant. We were just dancing. There was a bunch of us there. Shadow just come down looking for trouble. CLIFF It's not our job to get involved in your personal life, but when it interferes with the training here-- ATHENA I'm sorry, Sergeant Major. There wasn't anything I could do. Shadow gets crazy-- A silence as the sergeant lets her stew for a moment. She works up her courage-- ATHENA Sergeant Major? How is Richie doing? Private Graves? CLIFF He'll live. PRISCILLA He'll be transferred to a military hospital as soon as he's stabilized-- CLIFF He'll probably be getting a medical discharge-- ATHENA Out of the Army? CLIFF He's going to lose a lung. This is not good news for Athena-- ATHENA Will this go on my record? Cliff considers for a long moment-- CLIFF If the incident happened the way you say it did, there hasn't been an infraction. ATHENA Thank you, Sergeant Major. CLIFF You're dismissed. ATHENA Thank you, Sergeant Major. Athena steps out of the room. Cliff sits on the desk-- PRISCILLA You spoil 'em, Cliff. CLIFF Hey--she's in a tough situation. I cut her some slack-- PRISCILLA But I'm the one in charge of her sorry ass. CLIFF She's pulled herself out of a pretty rough neighborhood Crossing to the door-- PRISCILLA And if she isn't careful she's gonna slide right back into it. EXT. BLEDSOE HOUSE -- DAY -- ROCKER We start on a CU of a rocker creaking back and forth on an old wooden porch. A WOMAN HUMS MINNIE MINNIE BLEDSOE, in her 60s, sits on her porch in the old Black section of town, playing with a Gameboy. She has very thick glasses on. Sam walks up to her from his car-- SAM Mrs. Bledsoe? MINNIE That's me. SAM I'm Sheriff Deeds-- MINNIE Sheriff Deeds' dead, honey--you just Sheriff junior. SAM (Smiles) Yeah, that's the story of my life. MINNIE You ever play one of these? SAM I've seen 'em. MINNIE Well, don't ever start up on 'em, cause once you do you can't stop. I tell myself I'm gonna play just three little games after breakfast, and here I sit with half the day gone. SAM You mind if I ask a few questions about your husband? Roderick? MINNIE I won't say nothing bad about the man, but you can ask away. SAM He had the club out on the old trail road-- MINNIE We run that twenty-odd years. Give it over to Otis Payne in 1967. April. SAM So you must remember Sheriff Wade. MINNIE Not if I can help it. SAM You had to deal with him in running the club. MINNIE Them days, you deal with Sheriff Wade or you didn't deal at all. First of the month, every month, he remind you of who you really workin' for. SAM He squeezed money out of you? MINNIE Wasn't legal to sell liquor in a glass back then unless you was a club, see. Roderick used to say, "Buy yourself a drink, you get a free membership." But Sheriff Wade, he could shut you down anytime. SAM And my father? MINNIE Sheriff Buddy was a different story. Long as Roderick throw his weight the right way on election day, make sure all the colored get out to vote-we was called colored back then, if you was polite--maybe throw a barbecue for the right people now and then, things was peaceful. That Sheriff Wade, though, he took an awful big bite. SAM People didn't complain? MINNIE Not if they was colored or Meskin. Not if they wanted to keep breathin'. SAM Do you remember the last time you saw him? Minnie thinks, puts down the Gameboy-- MINNIE I seen him in our place the last week before he gone missin'. We TRACK in to a close-up of her. R&B MUSIC FADES UP slowly -- MINNIE He used to come in whilst we was in full swing, make people nervous. Had him a smile like the Grim Reaper-- DISSOLVE TO: INT. ROADHOUSE -- The joint is crowded, people drinking, talking, laughing, a few dancing, all trying to avoid locking eyes with Sheriff Wade, who sits with his legs stretched out at a table. Young Hollis sits by him, smiling uncomfortably. Sax-wailing R&B blasts from the jukebox. YOUNG OTIS, a slick, confident character with straightened hair and a silk shirt on, in his early 20s, stops to talk with a MAN on his way to bring a tray with a couple beers and glasses over MINNIE (V.O.) --just sit back with his hand on that big ol' gun and act the kingfish with everybody. Otis Payne had come to work for us by then, and that boy had him some attitude-- CU WADE Watching Young Otis with narrowed eyes-- CU WADE'S POV -- OTIS A man puts a slip of paper in Otis's pocket, pats his back. Otis winks to acknowledge the bet, turns, makes eyes at a PRETTY WOMAN sitting at the bar, who is eyeing him back. He lays the beers and glasses on the table, starts away WADE Pour it. OTIS TURNS, CUPS HIS BAND AROUND HIS EAR- WADE Pour it. Expressionless, he starts to pour the beer into Wade's glass. The Sheriff looks up into his face-- WADE I know you? YOUNG OTIS Name's Otis. WADE Otis what? YOUNG OTIS Payne. WADE One of Cleroe Payne's boys? YOUNG OTIS Uh-huh. WADE I sent your Daddy to the farm once. YOUNG OTIS I know that. WADE Why you think that was? Otis feels people watching. He doesn't want to lose face-- YOUNG OTIS Some crop needed pickin' and the man was shorthanded. A very insolent answer for the time and place-- WADE As I remember it was because he had a sassy mouth on him. Must run in the family--You wouldn't be runnin' numbers out of this club, now, would you, son? YOUNG OTIS Runnin' numbers illegal. WADE Runnin' numbers without I know about it is both illegal and unhealthy You remember that. The beer is poured. Otis starts away-- WADE Whoah, son. You're not finished. Pour his. YOUNG HOLLIS I prefer it in the bottle-- WADE Shut up, Hollis. Pour. Otis meets Wade's look now, pours the other beer-- WADE How come you don't took familiar? YOUNG OTIS Been away. Up to Houston. WADE Houston, huh? I hear they let you boys run wild up there. No response. Wade deliberately pushes the glass away so beer splashes on the table and drips into Hollis's lap-- WADE Aw--look what you done now. Better get something to wipe it up, son. Half the people in the room are watching now, the other half moving away to relative safety. Otis tries to keep a lid on his temper, looks around the room-- YOUNG OTIS You spilt it, you wipe it up. Wade stands, steely-eyed, and looks at Otis nose to nose-- WADE I told you to do something. Are you gonna hop to it, or are we gonna have a problem? Otis is starting to shake, but holds his ground-- WADE Don't want to turn tail in front of your people. I understand. He starts to turn away then WHAP! brings the butt of his pistol up under Otis's chin, knocking him to the floor A woman SCREAMS and Otis, enraged, grabs the chair he has fallen over, starts to get up -- but Wade has the pistol levelled at his face-- WADE Come on, Houston, give it a try! Come to Poppa-- RODERICK is out on the floor now, hands held out in a gesture of peace, as YOUNG MINNIE watches from behind the bar, petrified-- RODERICK Don't mind him, Sheriff. Boy's just a bit slow, is all. He don't mean nothin' by it-- WADE That the problem, son? You Slow? RODERICK Otis, apologize to the Sheriff-- Otis eases the chair down but doesn't say anything-- RODERICK You got him too scared to peep, Sheriff. Maybe if you put that gun up-- WADE You telling me what to do, Roderick? RODERICK No, Sheriff, I'm just-- Wade looks around, widens his eyes in mock surprise-- WADE What's this I see? Is that whiskey in them glasses on the Bar? Roderick, I'm onna have to cite you for a violation of state law-- RODERICK This is a club, Sheriff--you been in here-- WADE And people better clear out of here! Now! A few people start for the exit. Wade swivels and BLAM! sends a bullet past Minnie that shatters a crystal decanter behind the bar. People run for the door. Wade squats down to look Otis in the face-- CU WADE WADE You learn how to act your place, son. This idn't Houston. He stands and we FOLLOW him toward the bar-- OTIS (V.O.) 'Course I was young and full of beans then-- The camera passes Wade and instead of Minnie there stands Otis, PRESENT DAY, reminiscing. We are back in '95-- OTIS I didn't understand the spot I was putting Roderick in. SAM And that was the last time you saw him? We SHIFT to see Sam sitting where Wade was headed-- OTIS Oh--I think he came in one more time with Hollis and--naw, your Daddy wasn't with them. Made their monthly pickup. Roderick wasn't in so I just kept my mouth good and shut and handed over that envelope. SAM That was the night he disappeared? OTIS (Shakes his head) Could of been. That was white people's business. SAM And when my father was Sheriff? OTIS What about it? SAM What was your deal with him? Otis smiles, chooses his words carefully-- OTIS Buddy was more a part of the big picture--county political machine, chamber of commerce, zoning board if I kept those people happy, he was pretty much on my side. (Smiles) Whenever somebody thought--they start up another bar for the black folks, they'd be--how should I put this? They'd be officially discouraged. SAM He ever accept cash for a favor? Otis smiles, looks away to ponder his response-- OTIS I don't recall a prisoner ever died in your father's custody. I don't recall a man in this town-- Black, White, Mexican--who'd hesitate a minute before they'd call on Buddy Deeds to solve a problem. More than that I wouldn't like to say. INT. CAR -- LATE AFTERNOON Pilar drives Amado and her daughter Paloma home-- AMADO If you had your way I wouldn't have any friends. PILAR Oh, come on, Amado-- AMADO Just 'cause I'm not like Little Miss Honor Roll here-- PILAR Leave your sister out of it. AMADO You and all of the teachers in this dump--your story's over, so you don't want anybody else to have fun. We see on PILAR's face that he has scored-- PALOMA You jerk-- AMADO I'm not talking to you. You don't have any friends. PILAR eases the car down San Jacinto street, seeing something on the street and she's tuning her kids' conversation out-- PALOMA Who'd want to be friends with that bunch of pachuco wannabes? AMADO I don't pretend I came over on the Mayflower-- PALOMA And those stupid girls who hang out with them-- AMADO Just shut up. PILAR'S POV -- SAM Sam walks on the sidewalk parallel to them, talking with three other MEN-- PALOMA (O.S.) Joanie Orozco's telling the whole school she's like desperately in love with Santo Guerra. AMADO (O.S.) So? PALOMA (O.S.) It's pathetic. You can't he desperately in love when you're 14 years old. INT. PILAR'S CAR Pilar is still looking fixedly out the window-- PALOMA Not if you have half a brain in your head. PILAR Of course you can. PALOMA What? PILAR It doesn't have anything to do with being smart. EXT. SAN JACINTO STREET -- LATE AFTERNOON Danny Padilla is arguing with H.L. BRIGGS, a construction company big shot, and JORGE GUERRA, a Council member in his 40s and Sam, as they walk down the sidewalk of the main street-- JORGE What I'm saying is, I don't see the point. You had your chance when the dedication committee was meeting-- DANNY I've got new information-- H.L. It's ancient goddarn history, Danny-- DANNY 1963, they dam up the north branch to make Lake Pescadero. A whole little town disappears-- H.L. Squatter town-- DANNY People had been living in Perdido for over a hundred years. Mexicans and Chicanos are deported, evicted, moved forcibly out of their houses by our local hero, Buddy Deeds, and his department-- JORGE There was a bill from the state legislature-- DANNY Families were split apart, a whole community was destroyed-- H.L. They were trespassing, Danny-- DANNY --and who ends up with lakefront property bought for a fraction of the market price? Buddy Deeds, Sheriff of Rio County, and his Chief Deputy, Hollis Pogue. They all look at Sam, who has been listening patiently the whole while. They've reached his office SAM You finished? DANNY Look, I'm not after you, Sam. I just think people in town ought to know the full story on Buddy Deeds. SAM (Nods) That makes two of us. Sam steps into his office, leaving H.L. shaking his head-- H.L. You best be thankful that's the son and not the father. Buddy woulda kicked your ass from here to sundown. INT HALLWAY -- DEL'S HOUSE -- LATE AFTERNOON We TRACK down a hallway as Celie walks toward us, call ing ahead. Chet stands in the middle of the hall behind her CELIE (O.S.) I don't see what the big deal is. Go back over, talk to the man, and bury the hatchet, Del-- CELIE passes us and Del crosses back in the other direction from behind the camera, carrying boxes of their belongings. We continue our SLOW TRACK forward-- DEL Otis Payne was never embarrassed about a thing in his life. CHET Dad-- CELIE (O.S.) You were 8 years old when he left-- DEL He didn't leave, he moved three houses down with one of my mother's best friends. CHET Dad--? DEL "Hey, Delmore, where's your Daddy?" Del disappears into the bedroom at the end of the hall-- DEL (O.S.) everybody else's business. And everybody loved Big O-- DEL comes back out, empty-handed-- DEL Big O was always there with a smile or a loan or a free drink. CHET Dad, can I talk to you about track? CELIE (O.S.) People change. DEL Not that much. CHET Dad, I talked to the track coach-- DEL I thought we already had this out? Next year, if your grades are high enough-- CHET I have a B average. DEL How many B-average students do you think they take at West Point? CELIE (O.S.) We're going to have to see him. DEL No, we don't. Del steps away past us, leaving Chet, defeated-- INT. CAFE -- NIGHT -- ENRIQUE We start on Enrique, talking surreptitiously on the pay phone on the way to the kitchen ENRIQUE Sabado por la noche--Si, es el mas seguero-- a cruzar por la manana y pues tendremos que esperar-- [Friday night--Yes, that's the safest--I'll cross in the morning and then we'll have to wait--] Mercedes bustles by, snapping her fingers-- MERCEDES Off the phone, by we've got people waiting. Andale! We FOLLOW Mercedes back into the kitchen, where she moves through, kibbitzing the operation-- WAITRESS Mercedes stops by a young girl prepping a pork loin to be cooked. She isn't wearing gloves MERCEDES Donde estan sus guantes? Tonta! Quiere matar a mis clientes? [Where are your gloves? Stupid! You want to kill my customers?] She continues past, shaking her bead, bringing us to Pilar, who is trying to stay out of the way-- MERCEDES These ones coming up are getting stupider every year. PILAR Maybe you're just getting less patient. MERCEDES If they're going to survive here, they have to know how to work, Elalco! Adelante! Los clientes esperan! PILAR Well, you hire illegals-- MERCEDES (Indignant)) Nobody is illegal in my cafe! They've got green cards, they've got relatives who were born here-- if they only had a little common sense I'd be very happy. PILAR If you spent a little more time training them-- MERCEDES Did you come here to tell me how to run my business? PILAR No. I was wondering if you'd like to take a trip down south with us. Maybe see where you grew up-- MERCEDES Why would I want to go there? PILAR Oh, come on--you must be curious how it's changed. Amado is into this big Tejano roots thing and I've never been further than Ciudad Leon-- MERCEDES You want to see Mexicans, open your eyes and look around you. We're up to our ears in them. Pilar gives up on the trip. She watches her mother poking at the plates of chips and salsa ready to go out-- PILAR Mami, how old were you when my father-- MERCEDES He was killed. PILAR Right. When he was killed. MERCEDES A little older than Paloma is now. PILAR How come you never got married again? Mercedes just glares at her-- PILAR There must have been somebody. MERCEDES (Mutters) I was too busy. PILAR Nobody's too busy. MERCEDES Maybe now. It was different back then. I had this place, I was doing all the shopping, all the cookingwhat do I need some chulo with grease under his nails to drink up the profit? PILAR (Pissed off) Thank you. MERCEDES I don't mean Fernando. PILAR Mami, the first time I brought him home, those were your exact words--"some chulo with grease under his nails" MERCEDES I never said that. PILAR You made it pretty damn clear you thought he was nobody MERCEDES I felt that you could do better for yourself-- PILAR What? Become a nun? You didn't want me going out with Anglos-- MERCEDES I never said that. It was just that boy-- PILAR "That boy"--Mami, say his name for chrissakes! The employees are staring. Mercedes won won't look at her daughter as she steps out of the kitchen, banging into Enrique on his way back in-- MERCEDES You people are stealing my money-- Entiende? Robandome? Mercedes is gone. The young girl, pulling plastic gloves on, looks to Pilar GIRL Su madre? [Your mother?] PILAR Si. The girl puts her hand on her heart in sympathy-- GIRL Lo siento [My condolences.] INT. COUNTRY AND WESTERN BAR -NIGHT A crowded room, C&W MUSIC plays on the box. Sam sits behind a bottle of beer as the bartender, CODY, in his early 50s philosophizes CODY Now I'm just as liberal as the next guy-- SAM If the next guy's a redneck. CODY --but I gotta say I think there's something to this cold climate business. I mean, you go to the beach-what do you do? Drink a few beers, wait for a fish to flop up on the sand. Can't build no civilization that way. You got a hard winter coming, though, you got to plan ahead, and that gives your cerebral cortex a workout, SAM Good deal you were born down here, then, CODY You joke about it, Sam, but we are in a state of crisis. The lines of demarcation has gotten fuzzy--to run a sucessfull civilization you got to have lines of demarcation between right and wrong, between this one and that one--your Daddy understood that. He was like the whatchacallit-- the referee for this damn menudo we got down here. He understood how most people don't want their sugar and salt in the Same jar. SAM You mixed drinks bad as you mix metaphors, you be out of a job. CODY Take that pair over in the corner-- Sam swivels to look where Cody points-- CODY Place like this, twenty years ago, Buddy woulda been, on them two-- SAM'S POV -- CORNER BOOTH Cliff and Priscilla talk across a table -- CODY (O.S.) --warning. Not 'cause he had it in for the colored SAM AND CODY CODY --but just as a kind of safety tip. SAM Yeah. I bet he would. CODY Old Sam stood for somethin', you know? The day that man died they broke the goddam mold. BOOTH -- CLIFF AND PRISCILLA Things are obviously more than professional between these two-- PRISCILLA So where does that put us? CLIFF Well--I don't see what's changed. No PDA:s, no necking on the obstacle course PRISCILLA Seriously. CLIFF Seriously, I think we should get married. PRISCILLA We been through this before-- CLIFF We should just do it. PRISCILLA And if I get a shot at a promotion somewhere-- CLIFF You could take it-- PRISCILLA It's up or out these days, Cliff. Say I get transferred to a different post-- CLIFF I'd quit the Army for you, if it came to that. PRISCILLA (Grins)) Man's gonna retire in two years and he offer to quit, Big goddam deal. SAM (O.S.) Excuse me-- They look up to see Sam standing over them-- CLIFF Sheriff--hi--this is Sergeant- this is Priscilla Worth SAM Pleased to meet you. CLIFF Sheriff Deeds was in on our archeological find yesterday. PRISCILLA It true they gonna build a shopping mall out there? SAM If certain people have their way, it's going to be a new jail. PRISCILLA Damn. Maybe we got in the wrong business. They closin' down military left and right, puttin' up jails like 7-11 stores. SAM Do either of you have any idea when they stopped using that site as a rifle range? CLIFF They stopped training infantry there in the late '50s. It was just a playground for the jackrabbits till they gave it to the county last year. PRISCILLA You know who it was they dug up? SAM Not for sure yet. But I kind of wish they hadn't. EXT. CAFE -- NIGHT Enrique steps out of the darkened cafe, followed by Mercedes, who locks up. Mercedes steps over to an expensive-looking car-- ENRIQUE Es muy lindo, su coche-- MERCEDES En ingles Enrique. This is the United States. We speak English. ENRIQUE Is very beautiful, your car. MERCEDES Good night, Enrique. She slides into the car-- ENRIQUE Buenas noches, Senora Cruz. Enrique walks in the opposite direction-- FADE OUT EXT. BIG O'S ROADHOUSE -- DAY -- CU DEL Del, in uniform, approaches the front door of Big O's, not open for business yet. We TIGHTEN as he stops to read a handlettered sign next to it: "BLACK SEMINOLE EXHIBIT REAR ENTRANCE." He steps in-- INT. ROADHOUSE Late-50s R&B plays on the JUKEBOX. Otis stands behind the counter hooking the beer taps up. Del steps in and sits on a stool at the far end of the bar, tense, looking around the place. When Otis sees him, he stops dead. They lock eyes for a moment, then Otis turns to call OTIS Carolyn--knock that off for a minute. CAROLYN CAROLYN SYKES, an attractive woman maybe ten years younger than Otis, pulls the plug from the jukebox near where she's scrubbing bloodstains off the floor. She turns to look at the newcomer-- BAR Del doesn't move to come closer -- DEL Black Seminoles? OTIS (Shrugs) Hobby of mine. Got some artifacts, couple pieces one of your men out at the base made. Free admission. Del nods toward where Carolyn is mopping-- DEL That where he was shot? OTIS That's where he fell. DEL You get much of that in here? OTIS It's a bar. People come together, drink, fall in love, fall out of love, air their grudges out-- DEL Deal drugs in the bathroom-- OTIS If I thought it would help I'd put up a sign telling them not to. Right under the one about the employees washing their hands. Carolyn has come over by Otis, lugging the bucket and mop-- OTIS This here's Carolyn. Honey, this is my son, Delmore. DEL Nice to meet you, Ma'am. Carolyn nods, shoots a look to Otis-- CAROLYN I'll be in back waiting for that delivery. They wail till she is gone to start again-- OTIS So. DEL So tell me why I shouldn't make this place off-limits. OTIS This is an official visit, then-- DEL I assume a lot of your business is from our people. Otis pulls a tap back and it coughs before squirting beer OTIS Your boys out there cooped up together, need somewhere they can let the steam out. If they're Black, there's not but one place in this town they feel welcome. Been that way since before you were born. DEL We have an enlisted man's club at the post. OTIS Well, you're the Man out there now, aren't you? It's your call. DEL That's right. OTIS (Smiles) I been hearing rumors about this new commander coming for a couple weeks now. Boys say they heard he's a real hard case. Spit-and- polish man. Full-bird colonel name of Payne, they say-- Bet you never figured you end up back here. DEL The Army hands you a command, you go wherever it is. OTIS Right. DEL I hear things, too. People call you the Mayor of Darktown. OTIS (Shrugs) Over the years, this is the one place that's always been there. I loan a little money out, settle some arguments. Got a cot in the back-people get afraid to go home they can spend the night. Ther- e's not enough of us to run anything in this town-the white people are mostly out on the lake now and the Mexicans hire each other. There's the Holiness Church and there's Big O's place. DEL And people make their choice-- OTIS (Smiles)) A lot of 'em choose both. There's not like a borderline between the good people and the bad people-- you're not either on one side or the other-- Del looks away, not wanting to believe this-- OTIS (Softly) I gonna meet that family of yours? DEL Why would you want to do that? OTIS Because I'm your father. Del gives him a dark look and lets the statement hang between them. He gets up and heads for the door-- DEL You'll get official notification when I make my decision. He is out the door-- Otis pulls himself a beer as Carolyn steps back out-- CAROLYN So that's him-- OTIS Yeah--that's him. Got two, three thousand people under him out there, you count the civilians. CAROLYN That must be a laugh a minute. EXT. SAN JACINTO STREET -- DAY Sam walks down the main street of town. A CROWD is gathering at the other end for the ceremony-- H.L. (O.S.) Sheriff! We WIDEN as H.L. and Jorge catch up to him. H.L. slaps Sam on the back -- H.L. Historic occasion, isn't it? SAM Seems like we have another one every week. H.L. Jorge and his Chamber of Commerce boys got to keep things hummin'-- JORGE We're building up tourism, Sam-- SAM People come here to catch bass and to get laid at the Boy's Town in Cuidad Leon-- JORGE Sam-- SAM You ought to put up a banner-- "Frontera, Texas: Gateway to Cut- Rate Pussy"-- H.L. That kind of talk doesn't help, Sam. SAM Rather have that than the ten- foot-high catfish statue-- JORGE I got Eddie Richter at the Sentinel to kill that story. SAM The Perdido thing? JORGE He agreed it wasn't exactly news-- SAM Danny's gonna be out for blood the next time. H.L. Which is why we need to talk to you about the new jail--just so we're all on the same page. SAM We don't need a new jail. H.L. That's a matter of interpretation-- SAM We're already renting cells to the Feds for their overflow-- JORGE There was a mandate in the last election-- SAM It wouldn't happen to be your construction company gonna get the bid on building this thing, would it, H.L. And Jorge, you wouldn't be thinking about a couple dozen new jobs to dangle in front of the voters-- H.L. Dammit, Sam, the people are concerned about crime-- SAM We need a drug rehab program, we need a new elementary school-- JORGE There isn't money allocated for that. But a jail-- SAM Look, I'm not gonna campaign against your deal here, but if anybody asks me, I got to tell them the truth. We--don't--need-- a new jail. H.L. When we backed you-- SAM When you backed me you needed somebody named Deeds to bump the other fella out of office. Hey, folks-- Sam and the others smile as they reach the CROWD of townspeople, mostly small business owners and retired people. Photographers from the paper and a local TV news crew wait by a veiled Statue roped off in a little traffic island. Mercedes, dressed to kill, stands waiting next to Hollis with a huge pair of scissors in her hand. CU MERCEDES Slowly working the blades of the scissors, she looks coldly at Sam-- CU SAM He nods to her as the crowd opens a path for him. SAM Let's get this thing over with. INT. MIKEY'S WORKSHOP -- MORNING We start on a two-foot-high statue of a cowboy made from old bullets and shell casings. We PAN past a few others, the poses lifted from Frederic Remington paintings, till we see Mikey, gluing together a work in progress, a Remington book propped open in front of him. Cliff sits at the worktable playing absently with the old bullets spilled out from MIKEY'S bag MIKEY Never thought I'd see the day a buddy of mine was dating a woman with three up and three down on her shoulder. CLIFF I think it's beyond what you'd call dating. MIKEY You going to get married? CLIFF (Shrugs) Maybe. MIKEY You met her family? They gonna be cool about you being a white guy? CLIFF Priscilla says they think any woman over 30 who isn't married must be a lesbian. She figures they'll be so relieved I'm a man-- MIKEY Always heartwarming to see a prejudice defeated by a deeper prejudice. But marriage, man--I did two tours in Southeast Asia and I was married for five years-- I couldn't tell you which experience was worse. Cliff picks up a slug-- CLIFF Hey, Mikey-- MIKEY I knew she was Japanese going into it, but she didn't tell me the ninja assassin part-- CLIFF Mikey-- MIKEY Her parents acted like I was gonna blow my nose on their curtains-- CLIFF Mikey-- MIKEY If I stayed out past ten with the guys she'd go into her Madame Butterfly routine-- CLIFF Mikey look at this-- MIKEY What--it's a bullet. I'm lousy with bullets here. CLIFF it's a .45. MIKEY Yeah? CLIFF This is the stuff we picked up the other day, right? The rest of this is all .30 caliber-- MIKEY They were using M-1's, yeah-- CLIFF What's it doing on a rifle range? MIKEY holds the slug in front of his face-- MIKEY We better call that Sheriff. EXT. SAN JACINTO STREET -- DAY Hollis is finishing his oration, having put the crowd in a good mood. HOLLIS Sometime in the early '70s a reporter from a national magazine was talking to the governor of our Lone Star state, and he asked him, "Governor, what's your ideal of what a real Texan ought to be?" Governor said, "That's easy, son-you just go down to Rio County and get a look at Sheriff Buddy Deeds." Applause-- SAM Watching the crowd -- SAM'S POV We PAN with his gaze across smiling faces, till he comes to Danny and a couple of Chicano friends, looking grim. We RACK FOCUS beyond them to see Pilar, watching the ceremony from a few yards back-- HOLLIS (O.S.) Thank you. We've got one more person to hear from-- HOLLIS HOLLIS --and he's somebody who probably knew Buddy better than any of us, Sam--would you say a few words? SAM Not thrilled to be called on. He steps forward reluctantly to APPLAUSE-- SAM You folks who remember my father knew him as Sheriff. But at home he was also judge, jury He looks to Hollis-- SAM --and executioner. LAUGHTER. Sam holds Hollis's eyes for a moment before continuing-- SAM This is a real honor you're doing him today, and if Buddy was around I'm sure his hat size would be gettin' bigger every minute. PILAR Watching -- SAM (O.S.) I used to come to this park to hide from him. Now that you're putting his name on it-- SAM SAM I'll have to find someplace new to duck out. More LAUGHTER-- SAM I do appreciate it, and wherever he is, Buddy's puttin' the beer on ice for the bunch of you. Thank you. APPLAUSE -- Sam steps back and Mercedes steps forward with her scissors without looking at him-- HOLLIS And now my fellow Council member and one of Frontera's most respected businesswomen, Mrs. Mercedes Cruz, will do the honors for us MERCEDES She freezes, smiling, till the still photographers have gotten their shots, then snips the cord to a pulley system that lets the cloth drop-- STATUE The cloth drops to reveal a bas-relief in brass set in a block of smooth limestone. A decent likeness of Buddy in uniform, his hand on the shoulder of a small Chicano-looking boy who stands beside him, eyes raised worshIpfully. APPLAUSE from the gathering--